December 18, 2014

Quarterly Report

Matt Nordness backside nosegrind revert. Photo by Bradford Bishop via Wiskate.

One of the best dudes out down I-94 East, Milwaukee's Matt Nordness was interview on Theories of Atlantis and talks about having diabetes, being a nurse at a children's hospital and skating here in the middle.

Nike SB "Salt Stains" Session from Anthony Hart on Vimeo.

Anthony Hart came up with the concept for a Dunk and put some stuff together for it, above, and got interview about it by Complex, here.

Cross promotion: Wrote about bonus skills you learn from skateboarding.

Required reading from BTO about the Plan B video (yeesh) and Sheckler.

Fairly psyched on what The Hesh found in the Lair card system, especially that American History X-ass looking photo of Jack. Should dig up more gems. Speaking of Jack, watch 'til the end: Oh, Jacky.

December 2, 2014

Cliiiiiiiips

If you'd have told me ten years ago that Steve Nesser and Tabari Cook would share a part in the waning days of 2014, I don't know what I would have thought. Nowadays, firmly in the future, well, this just makes perfect sense.

@cj_tambo getting his morning lines in #hiawatha

A video posted by TruthandSoul (@husebro) on


CJ Tambornino is back on board after a series of unfortunate events. Good things to see. Late to the party by two weeks, but it's worth it: Former loc and social media genius Dane Vaughn ripped a clip for my preferred truck company that's too sick not to post, even late.

November 22, 2014

Saturday And Such

Rift's "Double Crossers" is excellent work by all. Duluth looks amazing at night. Watch it all day. Joe Hall SOTY?

Said Boil the Ocean:

“Real talk, it was the one for him, and a moment in time,” said Jurg Jourgensonn, better known by his rap name Rich Rich.

“The Es Muska model was the origination and the CM901 was scripture, but the ’902 brought the word to the people,” claimed Rich Rich. “Fuck with me.”

That sublime feeling is skateboard fiction.

I got the dreaded Laramie.

Winter is coming.

November 17, 2014

VX Legacy Foundation


Photo via VXlegacy.com.

For a long, long time, Benji Meyer wanted to make a concrete cast of Sony's famous and skater preferred VX-1000--a camera first released roughly 19-years-ago--with the ostensible purpose of showing up at a spot and doing some reps with the likely heavy concrete replica. One must admit the handle on the iconic camcorder makes it ideal for some curls.

That was a long time ago, back in heady days when we were roommates. This year, plastic variants of the idea above started showing up, with, instead of lots of mass, a slot on the death lens tip where a Go-Pro camera can be placed. The fabrication of the thing bore out proof that Meyer had teamed up with Anthony Hart and was about to make something happen, with more clues hidden in Meyer's most recent Instagram username switch.

Now there's a website and the two are selling the things.

Since that thing went live yesterday, if memory holds, Meyer's Instagram account got a 1,000 bounce and the Internet's skate shoe cognoscenti felt a little weird:


Or less weird, with the commenting class pretty much feeling it.

For those who could never afford or find a VX1000 on eBay, this is as good as it gets... VxLegacy.com

A photo posted by Ripped Laces (@rippedlaces) on

Will be monitoring the Slap board for the likely thread to follow. Might even do some legwork later on to see if those guys are selling anything.
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Waiting on responses regarding the availability of Get Born, per the last post's comments, but it's sounding like it will be posted online in the near future, perhaps via a mag site.

Oh snap. There's a new Familia website. As they line up events seemingly every weekend this month (I never posted about the Chocolate event), there's another one this Saturday, with Big Joe Red. Peep their photo feed for details.

PS:


My Spanish skills have slipped, per Google: "Support for gopro as the VX1000 is the biggest nonsense ever seen." Ha.

November 6, 2014

Follow the Money

this Sunday @familiask8shop #GETBORN ��

A photo posted by SEND HELP Skateboards (@sendxhelp) on

Get your local-ish video fill this Sunday with Send Help's initial offering called Get Born. For those who need it spelled out, this means first Nesser part in a little bit and potentially a Tabari "Marcus" Cook part as well. Other potential fascinations include Brain Heck's already hyped section filmed out on the wild Bakken formation and what former man-am Randall Ploesser has going on roughly 700 miles down the Mississippi in St. Louis.

The blog has suffered, I know, in part because I've gotten the opportunity to write some stuff for the newly renovated Ride Channel site. Thus far, it's been fun, because I've written some blog-like entries and discussed massive skateboard industry conspiracies with former pros on Facebook.

Elsewhere, Chromeball interviewed one-time Minneapolis loc/infamous former pro Ryan Fabry. As illustrated by Fabry, our area's potential for forcing dudes to skate both street and transition goes back more than 25 years. For what the interview lacks in specifics about those bygone years around here, it's still a cool read. If one Fabry story/myth that I've heard from primary sources stands out, it's the persistent story of him feeble grinding the MCTC large rails at some point in the late-80s. That's heavy.

Update: At the end, Daniel Castillo speaks the truth.

October 21, 2014

Frontside 360s, Both Ways

Matt Reason died. His 411 Profile section gripped me in my mid-teens, and his skating's stuck with me ever since. 411 headman Josh Friedberg has some good words on the matter:
Shit like this reminds me how connected the people that chose to dedicate their lives to skateboarding actually are. If you skated in the mid-90s Matt Reason's raw street style, big ass wheels and solid switch game had a lasting impact on your world. Rest in peace to a pioneer of skateboarding from the East Coast.

Philly local Vern Laird filled in some blanks:

9am in China and waking up a million text messages and emails about Matt is the last way I wanted to start my day. Here is what I found out. He got the flu, and it turned into pneumonia. It moved fast and he died of heart failure today. I spent almost everyday of my life skating with Matt at Love Park from 1991 all through the 90's and witnessed one of the best ever to do it but also to do it with style. I am at a loss for words because I still can't and don't want to believe he's gone. RIP #MattReason

Transworld posted scans of a 1996 interview with Reason, that featured an alternate angle of that feeble grind photo from Love Park that's been all over, tonight:

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TONIGHT 8 P.M. The premiere of #TWSOutliers at #FamiliaHQ

A photo posted by Familia Skateboard Shop (@familiask8shop) on

I don't much remember the previous TWS video; Cinematographer Project was definitely a significant bump atop a long plateau of an almost too productive string of videos. There's a good line up, though, and a new guy making it and a Gladwell joke, so see you there.

October 15, 2014

1962, cornfields, '60 Chevy.

Pretty Sweet doesn't exist on the Internet, at least not in the places I'm willing to look.

Cory Kennedy in Pretty Sweet, is sure to be the video's most fondly remembered part. The other sections really vying for memory--Marc Johnson's SOTY victory lap and Guy Mariano's SOTY robbery--deserved all the buzz they got, though it's unlikely they'll be considered those guys' best ever attempts (for MJ it's close, but not obvious, Mariano=Mouse). For Kennedy, that part is what we've got, and until he goes and does better, there it is. For a video that sometimes felt too much like a music video and or a product, Kennedy's section benefitted from the production value, coming across sincerely when a lot of the rest seemed focus grouped. It also helps that he didn't skate to the female pop cover of a Wiz Khalifa track. That song, that song, that song.

"Night Moves," is yearnful music. Seger's summer of '62 equates the verve of some summers in the late aughts. This Slate podcast discusses the song, commenting on how it's all about sex, nostalgia and mortality, and how it's possible, like I do, to enjoy the song in both ironic and unironic ways. The song might be everything.

To steal one of that podcast's best bits, from Wikipedia on "Night Moves:"

"Night Moves" is a mid-tempo number that starts quietly with acoustic guitar. Bass guitar and drums are introduced as the song's setting is described: 1962, cornfields, '60 Chevy. An intense summertime teenage affair is described, knowingly more sexual than romantic, with short instrumental lines breaking the evocative imagery sometimes in mid-sentence. Piano, female backing vocals, electric guitar and organ are added as the song's emotional nostalgia builds momentum. Then suddenly it stops, as the narrative flashes forward to some period in the future, where he hums a song from 1962. To a quiet acoustic guitar, the narrator, awakened by a clap of thunder and unable to fall back asleep, ponders a different sense of the title phrase. Then the rest of the instruments fall back in, for an extended coda vamp of the chorus.
Damn.

Equally as night movesy as those first summers as a freshly single adult, the time around the making of Weekend Warriors is another ready nostalgic pit, a wonderful bit of existence laser-focused on a goal existing completely outside the rest of reality. A video line-up that moves along together fosters camaraderie and we went out at night a lot, making full use of the fact that the city really opens up past 11 p.m. on a week night. When Meyer put out three videos in three years, starting with the Anonymous premiere, I edited featurettes of the old videos, four minute montages, bangers revisited, that played before the feature presentation. Those clips are lost to time. Weekend Warriors never had a direct followup, so no featurette, though if something had come out in the spring of '08 I bet it would have ended up pretty similar to my precious: The song always gets me going.